Nika Neelova
- Born in
- 1987
- From
- Moscow, Russian Federation
- Lives and works
- London, United Kingdom
- Represented by
- Osnova Gallery
- Website
- http://www.nikaneelova.com/
UN goals
Tags
- Abstract
- Andrei Tarkovsky
- Anthropocene
- Architecture
- Collective Memory
- Contemporary Archaeology
- Donna Haraway
- Dystopia
- Félix Guattari
- Geology
- Gilles Deleuze
- Jorge Luis Borges
- London
- Manuel DeLanda
- Max Frisch
- Memory Space
- Mixed Media
- Moscow
- Object-oriented Ontology
- Philosophy of Architecture
- Posthuman
- Post-Soviet
- Rachel Whiteread
- Rem Koolhaas
- Russia
- Sculpture 3D
- Sigmund Freud
- Social
- United Kingdom
- Urban
- Urban archaeology
- Urban decay
Biography
Nika Neelova's sculptures and installations evoke associations with history, collective memory, and an imagined post-human future. Interested in architecture and its metaphysics, the artist frequently re-uses architectural artifacts subject to destruction alongside jesmonite and plaster. Being interested in the anthropocene and using the method of what she calls ‘reverse archaeology’, Neelova examines man-made objects stripped of their initial functions, and reimagines their (hi)story, questioning how human and geological landscape might look in the future.
Nika’s post-soviet background is important in understanding her artworks, which represent artificial ruins of a future’s unknown environment. This apocalyptic and dystopian feel with a sense of “decay” about her sculptures refer to Andrei Tarkovsky’s movies “Stalker” (1979) and “Solaris” (1972), which similarly take place in an unidentified ‘place’ on the planet.
Sigmund Freud in his essay “Aetiology of Hysteria” (1896) stated that the value of ruin is in the future life that is embedded in it. Neelova’s installations, being modern ruins, follow Freud’s idea, as they reveal past stories, carry the idea of future life, and unite the past and the imagined future.
Career highlights
Solo shows
- 2021, Brighton CCA, Brighton, UK: Slit
- 2019, The Tetley, Leeds, UK: Ever
- 2019, Noire Gallery, Turin, Italy: Glyphs
- 2018, Galleria MLF, Brussels, Belgium: drifts (there is always ground, even at night)
- 2014, Ron Mandos Gallery, Amsterdam, The Netherlands: I lean to you numb as a fossil. Tell me I’m here
Group shows
- 2021, New Art Centre, Roche Court, Salisbury, UK: One of Many Fragments
- 2020, Geukens de Vil, Antwerp, Belgium: Silence Is So Accurate
- 2018, Palazzo Saluzzo Paesana, Turin, Italy: DAMA
- 2017, Green Art Gallery, Dubai, UAE: Theatre of the Absurd
- 2017, Art in Perpetuity Trust, Arts Council England, A.P.T Gallery, London, UK: New Material
Collections
- London, UK: DRAF David Roberts Art Foundation Collection
- United Kingdom: Modern Forms
- London, UK: Saatchi Gallery Collection
- 2013, Perm, Russia: PERMM Museum of Modern Art Collection
Media
- 2012, Independent: Crisis Commision Exhibition at Somerset House
Selected artworks
-
Nika Neelova Lateral cuts II. Models of internal architectural cross-sections,, 2020
Osnova Gallery
€4,500
-
Nika Neelova Lateral cuts series III. Models of internal architectural cross-sections, 2020
Osnova Gallery
€4,500
-
Nika Neelova Lemniscate XIV, 2021
Osnova Gallery
€9,500
-
Nika Neelova Stratigraphy, 2019
Osnova Gallery
€7,500
-
Nika Neelova Untitled (ikea stools), 2017
Osnova Gallery
€5,000