Photo: Bernice Mulenga. Courtesy the artist and The Third Line.
Sophia Al Maria
- Born in
- 1983
- From
- Tacoma, United States of America
- Lives and works
- London, United Kingdom
- Represented by
- The Third Line
- Wikipedia
- https://en.wikipedia.org/wiki/Sophia_Al_Maria
UN goals
Tags
- Abstract
- Anthropocene
- Apocalypse
- Chris Marker
- Climate Change
- Drawing
- Dystopia
- Eschatology
- Extinction
- Feminism
- Film
- Fritz Lang
- Futurism
- Geopolitics
- Gulf Futurism
- Imperialism
- Installation
- Internet
- Islam
- Media
- Metropolis
- Middle East
- Mixed Media
- Persian Gulf
- Pollution
- Portrait
- Postcolonialism
- Posthuman
- Qatar
- Science Fiction
- Sculpture 3D
- Social
- Social Media
- Sound Art
- United States
- Urban
- Utopia
- Video
I've come out of a period of extreme anxiety and fear of the future, into one of feeling hopeful through being open to change. It's not that there's nothing to lose. At some point it becomes clear there's nothing to have.
Biography
Sophia Al Maria is a Qatari-American artist, writer and filmmaker. Working primarily with film and narrative text, the artist weaves captivating tales as a way of processing her thoughts about the future, particularly in the current pace of biodiversity extinction. Dealing with geopolitical questions of our time through the lens of 'hyper subjectivity', her multidisciplinary practice gravitates around science fiction and fantasy, creating depictions of a dystopian future where she recognizes the possibility of the end of life as we know it.
We readily detect in Al Maria's films issues of feminism, imperialism, post-colonial identity, representation, and desire. The artist's visions are informed in the tradition of science fiction authors, specially French filmmaker Chris Marker, who introduced dystopian themes and aesthetics in art, depicting human kind responsible for their own collapse.
Fritz Lang’s pioneering masterpiece Metropolis shares with Sophia Al Maria’s work its dystopian tone. The term ‘Gulf Futurism’ echoes the filmmaker’s vision of the “modern” city where skyscrapers and technology contribute to the decline of our world.
Career highlights
Solo shows
- 2023, Mathaf: Arab Museum of Modern Art, Doha, Qatar: INVISIBLE LABORS daydream therapy
- 2021, Serpentine Gallery x Modern Forms Sculpture Commission, London, UK: Taraxos
- 2020, Julia Stoschek Collection, Dusseldorf, Germany: Bitch Omega
- 2019, Tate Britain, London, UK: Beast Type Song
- 2016, Whitney Museum of American Art, New York, NY, USA: Black Friday
Group shows
- 2024, Institut du monde arabe, Paris, France: ARABOFUTURS: Art, Science fiction and new imaginations
- 2021, LUMA, Arles, France: Prelude
- 2017, Ullens Center for Contemporary Art, Beijing, China: The New Normal
- 2016, Centre d’Art Contemporain Genève, Geneva, Switzerland: Biennale de l’Image en Mouvement
- 2015, New Museum, New York, NY, USA: 2015 Triennial: Surround Audience
Collections
- Doha, Qatar: MATHAF - Arab Museum of Modern Art
- Sharjah, UAE: Qatar Barjeel Art Foundation
- Dubai, UAE: Art Jameel
- Chicago, USA: Museum of Contemporary Art
- 2018, New York, USA: Whitney Museum of American Art
Media
- 2021, The Guardian: Jarman award shortlist 2021 tackles and transcends the Covid pandemic
- 2021, ArtReview: Power 100 - Sophia al Maria
- 2021, The New York Times: In 'Little Birds', Anïs Nin Erotica Gets a Revolutionary New Context
- 2019, Artforum: Interviews: Sophia Al-Maria
- 2016, The New York Times: The Luxury Mall as a Consumer Prison