Alexandra Sukhareva
- Born in
- 1983
- From
- Moscow, Russian Federation
- Lives and works
- Dubna, Russian Federation
- Represented by
- Osnova Gallery
- Wikipedia
- https://ru.wikipedia.org/wiki/%D0%A1%D1%83%D1%85%D0%B0%D1%80%D0%B5%D0%B2%D0%B0,_%D0%90%D0%BB%D0%B5%D0%BA%D1%81%D0%B0%D0%BD%D0%B4%D1%80%D0%B0_%D0%98%D0%BB%D1%8C%D0%B8%D0%BD%D0%B8%D1%87%D0%BD%D0%B0
UN goals
Tags
- Abstract
- Alberto Burri
- Arte Povera
- Chemical Process
- Chlorine
- Cognitive Science
- Collective Memory
- Dubna
- Empirical Evidence
- Empirical Research
- Etching
- Figurative
- Glass
- Informalism
- Memory
- Metal
- Michel Eugène Chevreul
- Mixed Media
- Moscow
- Neo-Impressionism
- New Realism
- Phenomenology
- Process Art
- Russia
- Scientific Method
- Sculpture 3D
- Semantics
- Toxicity
- Works on Paper
Biography
Alexandra Sukhareva works primarily with process-oriented installations which speak about the interactions between humans and nature. Among the topics that she works with is also the question of “mental habits” — collective and personal cognitive actions — and their influence on the material world. By using toxic substances and chemical processes dating back to the 18th century, Sukhareva’s installations investigate the phenomenology of objects and processes from both scientific and empirical perspectives.
Alexandra experiments with non-organic, toxic, and unstable materials in her practice, triggering chemical reactions and spontaneous results in the final art object. This reminds us of Alberto Burri who implemented the physicochemical process of burning as a tool, which subsequently became a material of his works, both physically and semantically.
Alexandra Sukhareva is first and foremost an artist, not a scientist. But her scientific manipulations and explorations of materials, which are essential to the process of creating her artworks, recall Michel Eugène Chevreul whose scientific research on colors highly influenced the neo-impressionist movement.
Career highlights
Solo shows
- 2022, Venice, Italy: Russian national pavilion at 59th Venice Biennale
- 2019, Osnova gallery, Moscow, Russia: «2016-19»
- 2017, Marso Gallery, Mexico city, Mexico: Omnipotence
- 2017, Garage Museum of contemporary art, Moscow, Russia: Liberating Knowledge: Progress Report II
- 2011, Project Fabrika, Factory of technical papers “Oktober”, Moscow, Russia: Eurauraga
Group shows
- 2021, CCA FUTURA, Prague, Czech Republic: Avoidance
- 2020, Garage Museum of contemporary art, Moscow, Russia: “We Treasure Our Lucid Dreams.” The Other East and Esoteric Knowledge in Russian Art 1905–1969
- 2019, V-A-C, Palazzo Zattere, Venice, Italy: Time, Forward!
- 2018, CCA Derry, Londonderry, Northern Ireland, UK: The Landis Museum
- 2016, Vadim Sidur Museum, Moscow, Russia: Human Commonalities
Collections
- 2018, London, UK: Tate Modern
- Torino, Italy: Castello di Rivoli
- Torino, Italy: Fondazione per l’Arte Moderna e Contemporanea CRT
Media
- 2017, The Calvert Journal: Hear Russian artist Alexandra Sukhareva: in conversation
Selected artworks
-
Alexandra Sukhareva Five pronunciation exercises. Glass #1, 2020
Osnova Gallery
€7,000
-
Alexandra Sukhareva Lake, 2021
Osnova Gallery
€18,000
-
Alexandra Sukhareva Untitled (etching according to the drawing of 1987), 2019
Osnova Gallery
€1,400
-
Alexandra Sukhareva Untitled (Etching according to the drawing of 1988), 2019
Osnova Gallery
€1,400