Copyright Osnova Gallery and the artist
Five pronunciation exercises. Glass #1, 2020
glass, silver, copper, metal
10 × 42 × 42 cm | 3 15/16 × 16 9/16 × 16 9/16 in.
Certificate provided by the gallery
Moscow
€7,000
The artwork pledge
Tags
- Abstract
- Alberto Burri
- Arte Povera
- Chemical Process
- Chlorine
- Cognitive Science
- Collective Memory
- Dubna
- Empirical Evidence
- Empirical Research
- Etching
- Figurative
- Glass
- Informalism
- Memory
- Metal
- Michel Eugène Chevreul
- Mixed Media
- Moscow
- Neo-Impressionism
- New Realism
- Phenomenology
- Process Art
- Russia
- Scientific Method
- Sculpture 3D
- Semantics
- Toxicity
- Works on Paper
About this artwork
Alexandra Sukhareva has been experimenting with mirrors since 2013, exploring the notion that, ‘being more sensitive than us’, these objects have the capacity to sense and accumulate traces or impressions of objects, people, memories and forms of thought onto their surface during their existence (Alexandra Sukhareva, in conversation with Tate curator Dina Akhmadeeva, 13 March 2017). Speaking of her mirror series more broadly, Sukhareva has noted that, ‘silver is one of the most susceptible and appreciative matters – it records very elusive things to inform about them in its particular manner’ (Alexandra Sukhareva, artist’s portfolio, 2016).
The resultant marks, created on the mirrors through a chemical process impossible to fully control, are the traces of the elusive made visible. Curator Sasha Obukhova has noted that within Sukhareva’s practice this has included ‘the magic of everyday life, historical trauma, and hidden projections of the personality’ (Sasha Obukhova, ‘Alexandra Sukhareva’, in Garage Museum of Contemporary Art 2017, p.144).
More artworks by Alexandra Sukhareva
-
Alexandra Sukhareva Lake, 2021
Osnova Gallery
€18,000
-
Alexandra Sukhareva Untitled (etching according to the drawing of 1987), 2019
Osnova Gallery
€1,400
-
Alexandra Sukhareva Untitled (Etching according to the drawing of 1988), 2019
Osnova Gallery
€1,400