Courtesy the artist and Sommer Contemporary Art
Yael Bartana
- Born in
- 1970
- From
- Afula, Israel
- Lives and works
- Berlin, Germany
- Represented by
- Sommer Contemporary Art
- Website
- https://yaelbartana.com/
- Wikipedia
- https://en.wikipedia.org/wiki/Yael_Bartana
UN goals
Tags
- Archaeology
- Berlin
- Collective Memory
- Cultural Identity
- Diaspora
- Digital Photography
- Edition
- Europe
- Fiction
- Germany
- Gulf War
- Gun violence
- Holocaust
- Human Body
- Ideology
- Installation
- Israel
- Israeli-Palestinian Conflict
- Judith Butler
- Middle East
- Migration
- Mixed Media
- Patriarchy
- Performance Art
- Portrait
- Power Structure
- Propaganda
- Religion
- Second Amendement
- Social
- The Netherlands
- Trauma
- Urban
- Video
- Video Art
- Violence
- Virginia Woolf
- World War II
Biography
Complex is a befitting word to characterize Yael Bartana’s body of work. Whether referring to the relation between Poland and Judaism or to the alarming rise of fascism in the United States and in Europe, Bartana’s work addresses the historic scars that continue to haunt our collective memory while simultaneously talking about the events looming in the political landscape.
A mixture of fiction and facts, her videos, installations, performances and photographs often explore the weight of religion in politics. Her installation at the Venice Biennale for the Polish Pavilion in 2011 reflected on the still persistent violence inflicted to the Polish jews which in turn echoes Judith Butler’s postulates around the complexity of cultural integration.
One of her most recent videos–The Undertaker–directly touches on war and its consequences. With a powerful scene where women bury guns, this signifies her pacifist stand calling to mind Virginia Woolf’s essay Three Guineas in which the author denounced war and stressed the importance of gender equality to end conflicts.
Career highlights
Solo shows
- 2021, Philadelphia Museum of Art, Philadelphia, USA: The Undertaker by Yael Bartana
- 2020, Museo Universitario Arte Contemporáneo, Mexico City, Mexico: Sala10: Yael Bartana
- 2017, Musée Cantonal des Beaux-Arts, Lausanne, Switzerland: Yael Bartana - Trembling Times
- 2011, Australian Center for Contemporary Art, Melbourne, Australia: Yael Bartana…and Europe will be stunned
- 2011, Polish Pavilion, 54th Biennale of Art, Venice, Italy: …and Europe will be stunned by Yael Bartana
Group shows
- 2024, Venice Biennale, Italy: Thresholds
- 2020, Stedelijk Museum Schiedam, Schiedam, The Netherlands: Modest Fashion
- 2019, Bienalsur, Cúcuta, Colombia: Juntos Aparte
- 2018, Museum of Contemporary Art Taipei, Taipei, Taiwan: The Rebellion of Moving Image
- 2014, Clark House Initiative, Mumbai, India: And I laid traps for the Troubadors who get killed before they reached Bombay
Collections
- Tel Aviv, Israel: The Israel Museum
- 2011, Paris, France: Centre Georges Pompidou
- 2007, New York, USA: MoMA
- 2003, London, UK: Tate Modern
- Paris, France & San Francisco, USA: KADIST
Media
- 2021, Artforum: Yael Bartana on messianic myth, redemption, and the “Jewish Question”
- 2021, Frieze: Yael Bartana on the politics of Collective Redemption
- 2020, Haaretz: This Israeli artist wants Americans to disarm (and for women to run the world)
- 2019, The Guardian: The best art of the 21st century
- 2013, The New York Times: Yael Bartana: and Europe will be stunned
Selected artworks
-
Yael Bartana A Declaration, 2010
Sommer Contemporary Art
€15,000
-
Yael Bartana CHART – FREUD & HERZL (THE JRMIP SPIRITUAL FATHERS), 2013
Sommer Contemporary Art
€12,000
-
Yael Bartana Mary Koszmary, 2010
Sommer Contemporary Art
€10,000
-
Yael Bartana Mary Koszmary (girl), 2010
Sommer Contemporary Art
€10,000
-
Yael Bartana Mur i Wieza, 2010
Sommer Contemporary Art
€15,000
-
Yael Bartana Wild Seeds, 2010
Sommer Contemporary Art
€10,000
-
Yael Bartana Zamach, 2011
Sommer Contemporary Art
€12,000