Photo courtesy KOW Berlin.
Mario Pfeifer
- Born in
- 1981
- From
- Dresden, Germany
- Lives and works
- New York City, United States of America
- Represented by
- KOW
- Website
- https://www.mariopfeifer.org/
UN goals
Tags
I was interested in a conceptual way of making films. I think film and video is a very social medium to work with because you suddenly engage with people. I would say all of my films need the people and the stories.
Biography
Exploring themes such as police brutality in America, systemic racism in Germany or the impact of capitalism in indigenous communities in Chile, Mario Pfeifer’s hyberdrised docu-dramas pose questions such as where we are heading to as a collective and how we can create a more inclusive society. As he tries to dissect the reality of a geographic area, he chooses to spend several months working on a specific subject to better understand its context.
Pfeifer’s collaboration with the group Flatbush Zombies for their video Blacktivist resounds with David Hammons piece How ya you like me know, a painting depicting a white Jesse Jackson. Hammons uses humor to address racism while Pfeifer prefers archival images that are much more raw and poignant to heighten the severity of the issue.
His work has a social purpose like Ilya Repin’s paintings, who depicted Russia’s working class and criticized social structures under the tsars. The two envision art as a means to trigger change and transform the world.
Career highlights
Solo shows
- 2020, Edith-Russ-Haus for Media, Oldenburg, Germany: Negotiating the law - Das recht verhandeln
- 2019, The Power Plant, Toronto, Canada: Mario Pfeifer. If you end up with the story you started with, then you’re not listening along the way
- 2015, Ludlow 38, New York, USA: Mario Pfeifer: #blacktivist
- 2014, Museo Nacional de Bellas Artes, Santiago, Chile: Mario Pfeifer: aproximación en la era digital a una humanidad por desaparecer
- 2013, Project 88, Mumbai, India: A formal film in nine episodes, prologue & epilogue
Group shows
- 2020, Mudam Luxembourg, Luxembourg, Luxembourg: Me, Family
- 2018, 11th Bienal do Mercosul, Porto Alegre, Brazil: O triangolo Atlantico
- 2017, Goethe Institute, Lagos, Nigeria: The Atlantic Triangle
- 2017, Kunstfonds Collection, Dresden, Germany: Occupation. Video works from the art fund
- 2014, Center for Contemporary Photography, Melbourne, Australia: A taste of ashes fils the air
Collection
- 2011, Frankfurt, Germany: Museum for Modern Art
Media
- 2019, The Globe and Mail: Three shows on globalism, race and video art
- 2018, Hyperallergic: Two Berlin filmmakers reflect on Germany’s racial dynamics
- 2018, The New York Times: At the Berlin Biennale, the Art of saying ‘No’
- 2015, The Guardian: This week’s new exhibitions
- 2015, Artforum: Mario Pfeifer
Selected artworks
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Mario Pfeifer #blacktivist, 2015
KOW
€19,040
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Mario Pfeifer Untitled [population by age], 2014
KOW
€11,900
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Mario Pfeifer Untitled [population by gender], 2014
KOW
€11,900
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Mario Pfeifer Untitled (Two Guys), 2008
KOW
€14,280
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