The Art Pledge
Portrait of Irene Kopelman

Photo: Aldine Amiel. Courtesy the artist and Galerie Jocelyn Wolff

Irene Kopelman

Born in
1974
From
Córdoba, Argentina
Lives and works
Amsterdam, Netherlands
Represented by
Galerie Jocelyn Wolff, LABOR
Website
http://www.irenekopelman.com/
Wikipedia
https://en.wikipedia.org/wiki/Irene_Kopelman

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From the Peruvian Amazonia, to the icebergs on the Antarctic, to a different forest on Barro Colorado Island in Panama, or a marine station at the beach in Punta Culebra, Panama, there are worlds of differences that influence, and in a certain way prescribe, the methodology of each drawing series.

Biography

Glaciers, tropical forests, seascapes, volcanic topographies, patterns made by crabs: such are some of the wonders Irene Kopelman records to later transform into sculptures, paintings, and even puzzles. The artist travels across the globe to remote regions like Malaysia, Hawaii, the Arctic, and more to record astonishing ecosystems so as to understand how our entangled landscapes function. Her cross-disciplinary approach has led her to work with botanists, paleontologists, topographers, biologists, and scientists at large, transforming her oeuvre into scientific documents. 


Taking inspiration from documents from the 18th and 19th century, Kopelman creates minimalist and layered maps where she plays with scales. Reducing landscapes to their simplest forms, the artist shares with Hanne Darboven’s work its austere aesthetics and her taste for rational methodologies. However, her works are always fragmented, proving the limitations of representation compared to the vastness of our ecosystems. 


Painstakingly recording the existing variations in landscape, Kopelman aims to improve our relation to nature through her work. Her serene paintings and drawings are analogous to John Muir’s work, both devoting their work to the conservation of nature. 

Career highlights

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